LASCIVIOUS SOMETHING by Sheila Callaghan
[Inside] the Ford, Circle X Theatre | LA, CA
"Circle X's production is first rate;
under Paul Willis' sharp direction, the performances snap and crackle... "
— LA TIMES
"Director Paul Willis expertly torques the proceedings to
their high-tension denoument."
"Plays like a western showdown."
— LA WEEKLY
"Lascivious Something achieves its mythic amibtions
to a surprising degree! "
— VARIETY
"Director Paul Willis creates a highly energized,
highly mysterious world."
—BACKSTAGE
"Impeccable and savage direction."
—EYE SPY LA
under Paul Willis' sharp direction, the performances snap and crackle... "
— LA TIMES
"Director Paul Willis expertly torques the proceedings to
their high-tension denoument."
"Plays like a western showdown."
— LA WEEKLY
"Lascivious Something achieves its mythic amibtions
to a surprising degree! "
— VARIETY
"Director Paul Willis creates a highly energized,
highly mysterious world."
—BACKSTAGE
"Impeccable and savage direction."
—EYE SPY LA
—
CRAWL, FADE TO WHITE by Sheila Callaghan
13p, Ideal Glass | NY, NY
CRAWL, FADE TO WHITE by Sheila Callaghan
13p, Ideal Glass | NY, NY
"Packed with indelible images..."
"an experience of startling immediacy..."
"Director Paul Willis not only gets superlative performances from his cast, but he makes intelligent use of the Ideal Glass Factory's raw industrial space."
— THEATREMANIA.COM
"Director Paul Willis grounds the surreal moments with vivid physicality and charged silences."
"...engagingly quirky."
— TIME OUT NEW YORK, Critic's Pick
"The impossible-to-stage-yet-they-pulled-it-off-ending of Crawl, Fade to White..."
— NEW YORK MAGAZINE, Approval Matrix
"Captivating and unsettling!"
—SHOW BUSINESS WEEKLY
"Crawl, Fade to White is a superior production of an innovative script."
—OFFOFFONLINE.COM
"A dedication to theatricality and craft not often seen..."
"...a fun, engaging work."
— L MAGAZINE, Favorite Shows of 2008
"A landscape of loss more honest than a confession, and more haunting than a trance."
— NEWTHEATRECORPS.COM
—
THE GAS MAN: Rock Opera by Herbert Bergel
Empty Space Theatre | Seattle
"...Abstract, funny, and raw as a saddle burn."
—THE STRANGER, Seattle 2003
—
HEDDA GABLER by Ibsen
Printer's Devil Theatre | Seattle
"An excellent production...deliciously oppressive...a specialty of visually symbolic direction!"
—Rebecca Brown, THE STRANGER, 2000
"In a smart new adaptation by Paul Willis and the cast, the Devils bring Ibsen's Dynasty-in-Norway psycho-melodrama to life in a way that would have given ol' Henrik himself a Norwegian woody."
—David Schmader,THE STRANGER , Seattle 2000
—
HEDDA GABLER: FILM
Best Ten Dollar Suit | Flying Spot Pictures | WigglyWorld Studios
"[Willis] has siphoned off Hedda's embalming fluids and reinjected the hot blood
that once made her so harrowing and worthy of the canon to begin with..
"an impressionistic scrapbook..."
"Willis has done right by Ibsen!"
—The Stranger, 2004, read the full review here.
"an experience of startling immediacy..."
"Director Paul Willis not only gets superlative performances from his cast, but he makes intelligent use of the Ideal Glass Factory's raw industrial space."
— THEATREMANIA.COM
"Director Paul Willis grounds the surreal moments with vivid physicality and charged silences."
"...engagingly quirky."
— TIME OUT NEW YORK, Critic's Pick
"The impossible-to-stage-yet-they-pulled-it-off-ending of Crawl, Fade to White..."
— NEW YORK MAGAZINE, Approval Matrix
"Captivating and unsettling!"
—SHOW BUSINESS WEEKLY
"Crawl, Fade to White is a superior production of an innovative script."
—OFFOFFONLINE.COM
"A dedication to theatricality and craft not often seen..."
"...a fun, engaging work."
— L MAGAZINE, Favorite Shows of 2008
"A landscape of loss more honest than a confession, and more haunting than a trance."
— NEWTHEATRECORPS.COM
—
THE GAS MAN: Rock Opera by Herbert Bergel
Empty Space Theatre | Seattle
"...Abstract, funny, and raw as a saddle burn."
—THE STRANGER, Seattle 2003
—
HEDDA GABLER by Ibsen
Printer's Devil Theatre | Seattle
"An excellent production...deliciously oppressive...a specialty of visually symbolic direction!"
—Rebecca Brown, THE STRANGER, 2000
"In a smart new adaptation by Paul Willis and the cast, the Devils bring Ibsen's Dynasty-in-Norway psycho-melodrama to life in a way that would have given ol' Henrik himself a Norwegian woody."
—David Schmader,THE STRANGER , Seattle 2000
—
HEDDA GABLER: FILM
Best Ten Dollar Suit | Flying Spot Pictures | WigglyWorld Studios
"[Willis] has siphoned off Hedda's embalming fluids and reinjected the hot blood
that once made her so harrowing and worthy of the canon to begin with..
"an impressionistic scrapbook..."
"Willis has done right by Ibsen!"
—The Stranger, 2004, read the full review here.